Portraits of Violence: War and the Aesthetics of Disfigurement is a new book by Suzannah Biernoff which investigates the artistic, medical, and journalistic responses to facial injury in WWI.

Portraits of Violence explores the image and idea of facial disfigurement in one of its most troubling modern formations, as a symbol and consequence of war. It opens with Nina Berman’s iconic photograph Marine Wedding, which provoked a debate about the medical, military, and psychological response to serious combat injuries. While these issues remain urgent, it is equally crucial to interrogate the representation of war and injury. The concepts of valour, heroism, patriotism, and courage assume visible form and do their cultural work when they are personified and embodied. The mutilated or disabled veteran’s body can connote the brutalizing, dehumanizing potential of modern combat.

Suzannah Biernoff draws on a wide variety of sources mainly from WWI but also contemporary photography and computer games. Each chapter revolves around particular images: Marine Wedding is discussed alongside Stuart Griffiths’ portraits of British veterans; Henry Tonks’ drawings of WWI facial casualties are compared to the medical photographs in the Gillies Archives; the production of portrait masks for the severely disfigured is approached through the lens of documentary film and photography; and finally the haunting image of one of Tonks’ patients reappears in BioShock, a highly successful computer game. The book simultaneously addresses a neglected area in disability studies, puts disfigurement on the agenda for art history and visual studies, and makes a timely and provocative contribution to the literature on the First World War.

Suzannah Biernoff is Senior Lecturer in Modern and Contemporary Visual Culture at Birkbeck, University of London.

For reviews, or to purchase the book, please see University of Michigan Press website (orders before 8th May receive 30% off the list price with promotion code UMBIERNOFF).


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